#fromMoritz

According to google, "What does a conductor do" is one of the most frequently asked questions about conductors. On this page, I would like to share some thoughts about the essential aspects of my job.
Before we enter the podium, there is a long preparation process. Studying scores, research, reading, practicing and more in order to make efficient use of the baton and to inspire the musicians we work with.
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HISTORIC FEMALE COMPOSERS
While doing some random search during the concert-free period of 2020, I came across a movie called „Komponistinnen“, which highlights the biographies of Fanny Hensel, Emilie Mayer, Mel Bonis and Lili Boulanger. I found their biographies very moving and I found their creative output - in spite of many obstacles in society - tremendously impressive. And it seemed that in most cases their oeuvre had been forgotten after their deaths. I, personally, couldn’t think of many orchestral compositions by historic female composers that I had heard - let alone performed. Thus, I began to explore the orchestral repertoire of historic female composers, aiming at a greater variety of music to introduce to orchestras and audiences.
I believe that it requires multiple excellent performances and recordings in order to establish a composition in the repertoire. As a conductor, I hope to be able to make a contribution to building a podium for compositions which unfairly aren’t performed any more.
On this blog, I introduce historic female composers and some of their compositions which I would like to integrate into my program suggestions. This is very much „work in progress“ and I am very keen on learning your thoughts about that topic. Have you heard a fantastic piece which is not listed below? Is there a historic female composer you particularly like? I would be very grateful if you shared your suggestions.
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