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Trés actif sur la scène internationale dans un répertoire qui s'étend de la renaissance au contemporain, Moritz Gnann est reconnu comme l’une des révélations de la nouvelle génération de chefs d’orchestre. Régulièrement invité par des orchestres et opéras de premier rang en Europe, en Amérique du Nord, et Asie, cette saison sera marquée par ses début avec l'orchestre de la Gewandhaus de Leipzig , l'orchestre symphonique de la MDR de Leipzig et l'orchestre de la BBC du Pays de Galles . Parmi ses prochaines réinvitations, notons le Deutsche Oper de Berlin, leSemperoper de Dresde, ainsi que l'Orchestre philharmonique de la BBC de Manchester.




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 CONCERT A VENIR 


sEPTEMBRE

22

 BBC National Orchestra of Wales


Benjamin Britten
The Young Person's Guide to the Orchestra

Ralph Vaughan Williams
The Lark Ascending

Igor Stravinsky
The Firebird

Jean Sibelius
The Swan of Tuonela

John Williams
Music from Star Wars, Schindler's List & Harry Potter


Autres concerts à venir  

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"Gnann was able to express the complexity of the score, which is suited to the complexity of the composition in every way, with tremendous tension, made Britten's skillful instrumentation with a transparent overall sound, from the bird song in Billy's cradle to the last, when the loop of the string is drawn. But the dramatically more elaborate passages also took their place in a performance that really deeply aroused." (translated from German) 

Oper-Aktuell

Full review 


"Conducting debut, Pressler performance 
make for a BSO night to remember"

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"Boston Symphony Orchestra assistant conductor Moritz Gnann made his Symphony Hall debut Tuesday with an enticing program of Romantic music: Mendelssohn’s “Hebrides” Overture, Mozart’s Piano Concerto No. 27 (K. 595), and Dvorák’s Symphony No. 9, “From the New World. [...]


"Boston Symphony Orchestra assistant conductor Moritz Gnann made his Symphony Hall debut Tuesday with an enticing program of Romantic music: Mendelssohn’s “Hebrides” Overture, Mozart’s Piano Concerto No. 27 (K. 595), and Dvorák’s Symphony No. 9, “From the New World. [...]

It was a night to remember, for his own performance and that of his piano soloist, 92-year-old Beaux Arts Trio founder Menahem Pressler."

"AT TANGLEWOOD:
A YOUNG CONDUCTOR'S MARVELOUS MAHLER"

"Performances earlier in the weekend were executed with precision, but were not memorable. That changed Sunday afternoon when Moritz Gnann, the orchestra’s assistant conductor, took the podium. 

[...] Gnann had complete control over the shape and color of the opening movement, the softness of the A helping to evoke the quiet of the forest which Mahler augmented with bird calls, offstage trumpet fanfares, and horn melodies. 
[...] As the work progressed, Gnann’s attention to detail became apparent. He masterfully weaved the threads of Mahler’s music, allowing parts rarely heard clearly, such as those from the harp and bass drum, albeit played softly, to contribute to the sonority."

Read the Full Concert Review by Seth Arenstein




NEWS

Hochseetüchtig? Dirigent Moritz Gnann zur Wiederaufnahme von „Billy Budd“ an der Deutschen Oper...

read (DE)


Moritz Gnann joins Keynote
read


Conducting debut, Pressler performance make for a BSO night to remember
review


Dirigent Moritz Gnann Interview
von Nicole Czerwinka
(DE)

read here


"The Answered Question" Moritz Gnann talks about his first subscription concert with the BSO
99.5 WCRB Radio


"Good news from the New World" 
**** Bachtrack, by Kevin Wells


"Gnann makes admirable BSO debut with Dvořák and Mozart"
review


The Master at His Symphony Hall Piano
review


"At Tanglewood: A Young Conductor's Marvelous Mahler"

review


"German Conductor to Make BSO Debut at Tanglewood with Mahler’s First Symphony"

read


Moritz got nominated by Albrecht Thiemann from Opernwelt for Conductor of the Year 2015 




"Moritz Gnann, un nouveau chef assistant pour le Boston Symphony Orchestra..." 

read


vIDEOS

LINKS

Deutsche Oper Berlin
Semperoper Dresden
Boston Symphony